Music critic, lecturer, curator at Various publishers, universities, concert seasons
1975 - 2013
Wrote articles for Musica, Nessuno Tocchi Caino, Laboratorio Musica, Musica/Realta, AudioReview, Musica Jazz, Blu Jazz, L'Opera, JazzIt, Musicboom (on-line), Allaboutjazz (on-line), Piano Time, CD Classica, Il Giornale della Musica, Musica Oggi. Contributed to books published by Gamma Libri e Bulzoni Editore. Wrote liner notes for recordings and program notes for San Carlo Opera House in Naples, Bellini Opera House in Catania. Translated several Donald Mitchell's texts about Mahler Symphonies for Teatro alla Scala in Milan. Organized concerts for Accademia del Teatro alla Scala with Wayne Marshall.
Artistic Consultant at Studio Festi Srl
January 2010 - December 2012
Artistic and Cultural Consultant for events abroad, creating and choosing soundtracks to specific texts and scenes, participating to the production of massive outdoors shows in Brazil and preparing the authors and the performers to the cultural context abroad.
Artistic Director at EtnaFest/Provincia Regionale di Catania
September 2002 - September 2008
Music series devoted to academic, contemporary and improvised music. Was responsible for the full artistic programming, coordinating the production of every event (ca.35/40 per year) with the staff of Catania's Province, participating also to the process of communication, writing press news and program notes. Hosted artists as such as Steve Martland, Diavolo Dance Company, Ryuichi Sakamoto, Alva Noto, Philip Glass, Steve Reich, Zeitkratzer, David Murray, Bobby McFerrin, Alvin Curran, Dave Brubeck Quartet, Michael Gordon, Bang On a Can, Frank London, Brooklyn Funk Essentials, John Zorn & Masada, Herbie Hancock, Wayne Shorter, Dave Holland, Brian Blade, Jaques Morelenbaum, Bajofondo, Gilberto Gil, Patti Smith, Hanna Schygulla, Ute Lemper, Bill Frisell, John Scofield, Vision Into Art, Paola Prestini, Milica Paranosic, Elvis Costello, Palast Orchester, London Saxophonic, Delta Saxophone Quartet, and the likes.
Professor of History of Music at Universita Bocconi
2000 - 2008
Teaching History of XXth Century Music. Taught to an average number of 60 students per year course. The course was dedicated to the articulation of post-romantic music in Europe, to the development of XXth Century music in the New World, to the importance of jazz and other popular phenomena within the context of contemporary music.
Music critic, writer at Rai - Radiotelevisione Italiana S.p.A.
1978 - 1992
Consultant in a multiple series of broadcasts dedicated to classical music and jazz, in different periods of time
Assistant to the Superintendant at Teatro dell'Opera di Roma (Rome Opera House)
1976 - 1978
Assisting the Superintendant in the daily administrative and creative life of the Theatre. Organized concerts with Daniel Oren and organized the first jazz festival ever in an Italian Opera House, in 1978 with artists as such as: Sonny Rollins, Betty Carter, John Hicks, Dave Burrell, Betty Carter, Gil Evans, Ran Blake, Lee Konitz, George Shearing, Mel Torme, Stephane Grappelli, Martial Solal, Tony Williams, Curtis Fuller, Roy Brooks, Max Roach & World Saxophone Quartet, Tommy Flanagan, etc.
Assistant Producer and Executive Producer at HORO Records
1974 - 1978
Assistant Producer and Executive Producer in one of the first and foremost Italian independent labels devoted to jazz. Participated to recordings by Gil Evans, Freddie Hubbard, Don Pullen, Mal Waldron, Steve Lacy, Sun Ra, Burton Greene, Lee Konitz, Martial Solal, Roswell Rudd, Archie Shepp, Dave Burrell, George Adams, Gunter Hampel, Jeanne Lee, Byard Lancaster, M. E. V. (Musica Elettronica Viva), Michael Smith, Ran Blake, Lester Bowie, Sam Rivers, etc.
Artistic Consultant at Fondazione Guido d'Arezzo
2013
Music events to take place in the city of Arezzo.
Artistic Consultant at Teatro Franco Parenti
2013
Artistic Consultant for a series dedicated to Israeli contemporary dance and music
Artistic Director at Aperitivo in Concerto/Teatro Manzoni/Gruppo Fininvest
June 1995
Music series devoted to contemporary and improvised music. Is responsible for the full artistic direction, choosing the artists according to the budget and to the personality of the series within the context of Milano and of a Company like Fininvest and Teatro Manzoni. Prepares the full production with the Teatro Manzoni's staff (technicians, accountants, etc.) and, accordingly, with artists, coordinaring rehearsals, stay in Milano and performance.
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